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<channel>
	<title>The Kremlin</title>
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	<link>http://www.chrisgrapes.co.uk</link>
	<description>Over there, the wall.</description>
	<lastBuildDate>Sun, 08 Aug 2010 22:50:55 +0000</lastBuildDate>
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		<title>Genesis</title>
		<link>http://www.chrisgrapes.co.uk/?p=70</link>
		<comments>http://www.chrisgrapes.co.uk/?p=70#comments</comments>
		<pubDate>Sun, 08 Aug 2010 22:50:55 +0000</pubDate>
		<dc:creator>Chris</dc:creator>
				<category><![CDATA[Writing]]></category>

		<guid isPermaLink="false">http://www.chrisgrapes.co.uk/?p=70</guid>
		<description><![CDATA[God talks to me one day.
He put his arm round my shoulder and told me he is bored.
I say I know how he feels
 
He says that’s the problem with omnipotence. Being everywhere, knowing everything that ever will be, it’s just boring.
I ask him if he ever thought about letting go.
He looks at me with [...]]]></description>
			<content:encoded><![CDATA[<p>God talks to me one day.</p>
<p>He put his arm round my shoulder and told me he is bored.</p>
<p>I say I know how he feels</p>
<p> <span id="more-70"></span>
<p>He says that’s the problem with omnipotence. Being everywhere, knowing everything that ever will be, it’s just boring.</p>
<p>I ask him if he ever thought about letting go.</p>
<p>He looks at me with confusion, the kind where the middle of your forehead creases as your eyebrows try to meet.</p>
<p>I say that maybe if he let go of something he’d be less bored. Maybe it could be a project for him.</p>
<p>He asks me what he should do.</p>
<p>I tell him maybe he should create something.</p>
<p>And God made a ball of clay. He crushes it and moulds it around, rolling it inbetween his hands like he was trying to warm up on a cold day.</p>
<p>I tell him it’s a good start.</p>
<p>And God lights a fire and illuminates the clay.</p>
<p>Let there be light.</p>
<p>God asks me what he should do next.</p>
<p>I tell him he needs some chaos in there. Something unpredictable. Just to let go.</p>
<p>Let go.</p>
<p>And God shaps Man out of clay in his own image. A cheap caricature in mud. And he breathes life into Man.</p>
<p>God puts him on the surface of the ball and asks me what now.</p>
<p>I say now just sit back and see what happens.</p>
<p>Let go.</p>
<p>And Man runs across the surface of the clay. </p>
<p>God sculpts hills and valleys for Man to climb over. But Man grows restless being a plaything.</p>
<p>What do I do now, asks God.</p>
<p>Let go.</p>
<p>God looks at me and says I think Man needs company. Like how I needed company. Like how I needed you.</p>
<p>So I tell him okay, give him company.</p>
<p>God pulls up another chunk of clay and creates Woman.</p>
<p>God watches them run across the surface of the clay for a while. What now, he asks.</p>
<p>Let go.</p>
<p>God says that this is all pointless, that he knows exactly what’s going to happen. He’s seen it already.</p>
<p>You need to let go.</p>
<p>God tells me he’s not sure he knows how.</p>
<p>I tell God to turn his back and look away.</p>
<p>God says I know what you’re going to do. You’re going to make a new hill that I didn’t make and think that just because I didn’t make it that means I can’t control it.</p>
<p>I tell him to turn around.</p>
<p>And God turns around.</p>
<p>And God openly weeps.</p>
<p>He asks me how I did that without him knowing I would.</p>
<p>Let go.</p>
<p>And he reaches out and touches the branches, and lets the leaves fall through his fingers like he’s playing with his lover’s hair, and touches the ripe red fruit hanging like dewdrops.</p>
<p>He asks me what it is.</p>
<p>It’s a tree, I tell him.</p>
<p>And God stares in wonder at the tree. </p>
<p>And soon Man and Woman are staring at the tree too.</p>
<p>And Man and woman, in their curiosity, reach out and pull the fruit off the tree.</p>
<p>God panics. He thinks they’re destroying the tree, destroying the one thing he has no control over.</p>
<p>I tell him to relax, just let nature take its course. What happens, happens.</p>
<p>Let go.</p>
<p>But God pushes Man and Woman away from the tree in anger. He pushes them away and builds up a wall around the tree. But Man and Woman start to break down the wall, trying to get at the tree.</p>
<p>I ask God if he saw this happening.</p>
<p>And God looks at me with tears in his eyes. I don’t want to let go, he tells me.</p>
<p>It’s too late, I tell him. It’s already out of your control. That one act, that one tree, one thing you never saw coming, it’s already thrown ripples into the pond. It’s a chain reaction and it will only get worse. More and more, things will grow out of your control, growing like a spiderweb fracture across a plane of glass. I tell him this is the way of things.</p>
<p>God turns his back on the world and walks away.</p>
<p>And I guess that means I’m now in control.</p>
]]></content:encoded>
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		<item>
		<title>Riding Through The Glen</title>
		<link>http://www.chrisgrapes.co.uk/?p=61</link>
		<comments>http://www.chrisgrapes.co.uk/?p=61#comments</comments>
		<pubDate>Sat, 15 May 2010 22:02:46 +0000</pubDate>
		<dc:creator>Chris</dc:creator>
				<category><![CDATA[Writing]]></category>
		<category><![CDATA[robin hood]]></category>
		<category><![CDATA[script]]></category>

		<guid isPermaLink="false">http://www.chrisgrapes.co.uk/?p=61</guid>
		<description><![CDATA[Cate Blanchett stands in a field. Some kids in hessian masks steal all her grain. She is shown to be a rubbish shot.
Cate Blanchett: Well that was odd. I wonder if this plot point will be followed up on at all.
Somewhere in France. Russell Crowe helps set fire to a castle.

Russell Crowe: (in a Yorkshire [...]]]></description>
			<content:encoded><![CDATA[<div id="_mcePaste"><em>Cate Blanchett stands in a field. Some kids in hessian masks steal all her grain. She is shown to be a rubbish shot.</em></div>
<div id="_mcePaste">Cate Blanchett: Well that was odd. I wonder if this plot point will be followed up on at all.</div>
<div id="_mcePaste"><em>Somewhere in France. Russell Crowe helps set fire to a castle.</em></div>
<div><em><span id="more-61"></span></em></div>
<div id="_mcePaste">Russell Crowe: (in a Yorkshire accent) Now that's done, I'm off to hustle some soldiers.</div>
<div id="_mcePaste">Kevin Durand: Hustling soldiers? You bastard.</div>
<div id="_mcePaste">Russell Crowe: (in a Welsh accent) I'm not hustling! You take that back!</div>
<div id="_mcePaste"><em>Russell Crowe punches Kevin Durand. Danny Huston appears.</em></div>
<div id="_mcePaste">Danny Huston: What's all this about, eh? You there, soldier, you just won the battle for me single-handledly!Was it worth it?</div>
<div id="_mcePaste">Russell Crowe: (in a Cheshire accent) No, not really.</div>
<div id="_mcePaste"><em>Russel Crowe, Kevin Durand, Scott Grimes and Alan Doyle are put into the stocks. Meanwhilst, back in England Oscar Isaac is being camp and villanous</em>.</div>
<div id="_mcePaste">Oscar Isaac: My performance is outrageous because someone told me this was a pantomime.</div>
<div id="_mcePaste">Audience: Oh no it isn't!</div>
<div id="_mcePaste">Oscar Isaac: Oh fuck off.</div>
<div id="_mcePaste"><em>Back in France, Danny Huston is killed by a french chef.</em></div>
<div id="_mcePaste">Russell Crowe: (in a West-country accent) Alright, fuck this, I'm going home.</div>
<div id="_mcePaste"><em>Russell Crowe, Kevin Durand, Scott Grimes and Alan Doyle run into Douglas Hodge, who has just been murdered by the French. Russell Crowe shoots Mark Strong's face with an arrow.</em></div>
<div id="_mcePaste">Mark Strong: Ow! Fuck! That's going to leave a scar. You shithead, you've turned me into a Bond villain.</div>
<div id="_mcePaste">Douglas Hodge: Right, I'm dying here. Take this sword, give it to my father back in Nottingham. I know this seems a bit convoluted, but this sword will serve an important plot point somewhere so here we go.</div>
<div id="_mcePaste">Russell Crowe: (In a Wiltshire accent) Thanks! Well, off we go back to England!</div>
<div id="_mcePaste"><em>England, about three minutes later</em></div>
<div id="_mcePaste">Russell Crowe: (In a Cockney accent) I think I'll pretend to be Douglas Hodge. Anyway, hello. Danny Huston's dead, so I guess that camp twat is now king.</div>
<div id="_mcePaste">Oscar Isaac: Hooray for me! Now, let's tax the fuck out of everyone.</div>
<div id="_mcePaste"><em>Oscar Isaac fires William Hurt as the tax man and replaces him with Mark Strong, who is actually French.</em></div>
<div id="_mcePaste">Mark Strong: Haha! Time to take England apart from the inside!</div>
<div id="_mcePaste"><em>The French are now revealed to be ninjas, as a hundred of them appear from fucking nowhere. Mark Strong proceeds to burn everywhere in England except for Nottingham and London. No-one seems to care</em>.</div>
<div id="_mcePaste">Russell Crowe: (In a Welsh accent) So, Nottingham, eh?</div>
<div id="_mcePaste">Max von Sydow: Hi there. How would you like to replace my son? You get to sleep with his wife and keep all his things.</div>
<div id="_mcePaste">Cate Blanchett: Do I get a say in this?</div>
<div id="_mcePaste">Max von Sydow: No. By the way, I inexplicably know exactly who you are, Russell Crowe.</div>
<div id="_mcePaste"><em>Using medieval regression hypnosis, Max von Sydow makes Russell Crowe remember his father. Russell Crowe then goes looking for more soldiers in nearby villages. Coincidentally, Oscar Isaac is also there.</em></div>
<div id="_mcePaste">Russell Crowe: (In a Lincolnshire accent) Everyone fight for me!</div>
<div id="_mcePaste">Oscar Isaac: Yes! I'll do anything you say, just don't let the French touch my beautiful face!</div>
<div id="_mcePaste"><em>Meanwhilst the French come to Nottingham and kill Max von Sydow. Russell Crowe turns up, having apparently only been three hundred yards up the road all this time, and kills everyone except for Mark Strong</em></div>
<div id="_mcePaste">Russell Crowe: (In a Scottish accent) I will have my vengeance, in this life or the next.</div>
<div id="_mcePaste">Cate Blanchett: Oh, Gladiator, right? 'Cause it's Ridley Scott and Russell Crowe in an epic action drama. I see what you did there, yeah, that's clever.</div>
<div id="_mcePaste"><em>Everyone rides to the coast. The French turn up in WW2 beach landing craft.</em></div>
<div id="_mcePaste">Cate Blanchett: I brought those kids along, the ones in the hessian masks. There's no explanation to this, but look, they're also riding Shetland ponies. I guess we'll leave this plot point for the extended DVD.</div>
<div id="_mcePaste"><em>Russell Crowe finds Mark Strong and fights him in slow motion until he gets squashed inbetween two boats</em>.</div>
<div id="_mcePaste">Mark Strong: Right, fuck this, I'm going home.</div>
<div id="_mcePaste"><em>Russell Crowe pushes the boats apart and shoots Mark Strong in the neck with an arrow.</em></div>
<div id="_mcePaste">Mark Strong: Well, that was anti-climactic.</div>
<div id="_mcePaste">Oscar Isaac: We won!</div>
<div id="_mcePaste">All: Hooray!</div>
<div id="_mcePaste">Oscar Isaac: Now back to being a bastard. Russell Crowe is now an outlaw.</div>
<div id="_mcePaste"><em>Russell Crowe and Cate Blanchett go and live in the woods with the hessian mask kids.</em></div>
<div id="_mcePaste">Russell Crowe: (In a Liverpudlian accent) What an amazing setup for a sequel or a spin-off TV show.</div>
]]></content:encoded>
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		<item>
		<title>Steamboat Willy</title>
		<link>http://www.chrisgrapes.co.uk/?p=45</link>
		<comments>http://www.chrisgrapes.co.uk/?p=45#comments</comments>
		<pubDate>Thu, 13 May 2010 19:51:35 +0000</pubDate>
		<dc:creator>Chris</dc:creator>
				<category><![CDATA[Writing]]></category>
		<category><![CDATA[smiet spionem comrade]]></category>

		<guid isPermaLink="false">http://www.chrisgrapes.co.uk/?p=45</guid>
		<description><![CDATA["Da, you know what else, young comrade? He was Red, all the way through. Right down to his beating heart, he always say 'I will die for Mother Russia'. He say that to me, I swear on it, he say that to me."
The old man's wrinkled brow creases as his eyes drop down to the [...]]]></description>
			<content:encoded><![CDATA[<p>"Da, you know what else, young comrade? He was Red, all the way through. Right down to his beating heart, he always say 'I will die for Mother Russia'. He say that to me, I swear on it, he say that to me."</p>
<p>The old man's wrinkled brow creases as his eyes drop down to the floor. I top up his glass with a slug of Smirnoff ("Western junk" he sneered when I first offered him the bottle. It didn't stop him drinking it) and ask him to continue.</p>
<p><span id="more-45"></span></p>
<p>"He...he was a real Soviet. Not like these you see in American movies nowadays, you know, all square, all solid, all right angles. Like they made out of bricks. He may not have been strong, but to him, the hammer and sickle was all that mattered. He was in the navy, you know."</p>
<p>I nod. You never saw him out of uniform, in all the photos, all the videos, always neat in his naval dress.</p>
<p>"Da, stationed on K278 you know. Before it sank. He worked in reactor room, monitoring coolant. Ach, some say it were not a job for such a man, but he served. He served. Without question, he never question his duty to the motherland. That is before...those lies, those..."</p>
<p>He pauses, searching for the word in English.</p>
<p>"Bah, it matters not. They accused him of being traitor. Can you believe it? Him, traitor to our country. And you know why? That Uncle of his. Hah!"</p>
<p>His eyes became alive with anger, like the hatred was the only thing keeping him alive.</p>
<p>"Yes, that Uncle! Rich, he was. And powerful! A capitalist!"</p>
<p>He spits on the floor.</p>
<p>"Always hoarding money! Always! American dollar, Soviet ruble, it matter not to him, he took it all. Some say he had so much he could swim in it! Hah! Imagine such a thing."</p>
<p>He takes a long breath, mellowing almost instantly.</p>
<p>"In Russia, you see, blood...it matter. Blood, thicker than water, thicker than vodka, eh?"</p>
<p>And with that, he takes a slug of the liquid.</p>
<p>"Hmm. Western junk. Da, his Uncle. He was loyal to his Uncle as much as he could be, but his loyalty to the party always came first. Sadly, his nephews, he lose all three nephews to his Uncle. He try, he try to teach them good values. He try to get them to love the motherland as much as he did, but they went off to live with the Uncle. Money. How can us true loyalists, how can we fight such an evil? It poison the mind you see."</p>
<p>He leans forward. I smell his breath, a mixture of the alcohol and cheap cigarettes.</p>
<p>"Da, it infect you, like virus! It got so bad, that's when...the mood swings came. He always so quiet, so reserved before then, but the loss of his nephews, and his country...turning on him like that, accusing him of...what they say...'sleeping with enemy'. Hah! It not take much to push a man over the edge. His temper was like dynamite. The slightest thing set him off, fists whirling like tornado, shouting angrily! Any man who get in his way, pow!"</p>
<p>He throws his fist up violently, knocking over his glass. He continues, as if he doesn't even notice the vodka pooling at his feet.</p>
<p>"Bash! He get into all sorts of trouble. The powers that be, they do not like their sailors, even the most loyal ones, with such a temper. They send him to gulag. They claim he actually go into a...what is word...rest home? He go to recover, to reduce anger, that's what the party line was. But I know. He go to gulag. For three years. He came out a changed man."</p>
<p>A teardrop runs down his face and splashes on the floor, mixing with the spilled vodka.</p>
<p>"His voice, that was the worst. You could no longer understand him! You say to him, 'Good morning, Comrade', and he make such horrid noise back! Barely recognisable as words! My friend, this man I had known...all my life, I can no longer talk to my friend."</p>
<p>He pauses for a long time.</p>
<p>"That, that is when the other...lies. That is when they come out. His friendship with that American rat! Hah! All lies! I know he hated this American! But this rat from USA, he suddenly everywhere! His face in newspapers, on TV, he appear in children's comics! Even here! Most recognisable face in the world, they say! It made him mad! So angry! This...rat...this..."</p>
<p>He searches for the words. I notice for the first time he only struggles with English when he gets angry.</p>
<p>"...bastard! And suddenly everywhere with him! Right next to this bastard, they put my friend! They wrote stories about them together, the Soviet hero and the American! And the USA, he always come out on top! He always win in these stories! My friend is laughing stock! He...he never recover from that. He take his pistol, and he says to me 'I'm going out for a walk'. He never come back. He never come back."</p>
<p>I can see that this is all the old man will say. I top up his glass, pour the rest of the bottle into mine, and hold it up in a toast.</p>
<p>"To Donald?" I say.</p>
<p>He smiles briefly through his sadness, and lifts his glass.</p>
<p>"Da, to Donald."</p>
]]></content:encoded>
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		<item>
		<title>The Jeremy Winthorpe Kyle-Chefford Show</title>
		<link>http://www.chrisgrapes.co.uk/?p=43</link>
		<comments>http://www.chrisgrapes.co.uk/?p=43#comments</comments>
		<pubDate>Wed, 12 May 2010 14:30:15 +0000</pubDate>
		<dc:creator>Chris</dc:creator>
				<category><![CDATA[Writing]]></category>
		<category><![CDATA[jeremy kyle]]></category>
		<category><![CDATA[the source of all evil]]></category>

		<guid isPermaLink="false">http://www.chrisgrapes.co.uk/?p=43</guid>
		<description><![CDATA[A studio. A big blue studio. Several high back leather armchairs are arranged in a rough semi-circle facing the audience. A butler, immaculately dressed, dusts the top of the chairs with a silk handkerchief. Jeremy Winthorpe Kyle-Chefford enters. He looks like a human weasel, but wearing a tailored tuxedo with a monocle and a top [...]]]></description>
			<content:encoded><![CDATA[<p><em>A studio. A big blue studio. Several high back leather armchairs are arranged in a rough semi-circle facing the audience. A butler, immaculately dressed, dusts the top of the chairs with a silk handkerchief. Jeremy Winthorpe Kyle-Chefford enters. He looks like a human weasel, but wearing a tailored tuxedo with a monocle and a top hat. His immaculately waxed moustache tapers off into a twirl.</em></p>
<p><em>The theme music starts up. It sounds like a cross between music you’d do the Charleston to and being blasted in the face by pure saccharin.</em></p>
<p>Jeremy: “What ho, mother! Jeremy Winthorpe Kyle-Chefford here and in person. Today we’ll be speaking to some fine people, some rogues and some ruffians, all!”</p>
<p><em>He grins at the camera, a shit-eating grin aimed squarely at the lower classes.</em></p>
<p><em><span id="more-43"></span><br />
</em></p>
<p>Jeremy: “First out to bat we have Custer and Celinia. Raised voices came to the front after Celinia embarrassed Custer at a dinner party by using the forks in completely the wrong order. Please, air your approval in the form of applause!”</p>
<p><em>A cacophony of clapping. Out on stage comes an elderly gentleman, his hair greying and thinning, his face wrinkled. He is followed by an anxious looking woman, much younger than him. They both sit on leather chairs. A waiter comes out and hands a water to Celinia and a glass of brandy to Custer. He swirls it dramatically.</em></p>
<p>Jeremy: “Now now! Custer, tell us all, our ears await!”</p>
<p><em>Custer leans forward, swirling his brandy glass even more. The swishing liquid clips the rim and dribbles down over his hand. He stares at it for a moment and stops.</em></p>
<p>Custer: (in a thick Yorkshire accent) “She’s a whore, Jeremy, a big ol’ silly whore.”</p>
<p><em>The audience gasps. Jeremy’s monocle pops clean off his face. A butler dashes in and reattaches it.</em></p>
<p>Jeremy: “Now, sir! Why do you say such things about a ladies honour? Our researches, did you or did you not, sir, tell them this were a matter of forks?'”</p>
<p>Custer: “Aye, s’her goin’ off forkin’ everyone. Tha’s what I say to your researchers.”</p>
<p>Jeremy: (flustered) “Ah, yes. I. Well, sir…I. You know, this isn’t that kind of a show. We mostly discuss matters pertaining to etiquette and the like. Affairs of the bedroom is not an appropriate topic!”</p>
<p>Custer: “An you can fork off as well, great jessie, simperin’ on about teaspoons and the like. Get ye head out o’ yer arsehole. Now, if you’re done, sir, I’ll be tellin’ you about my Celinia.”</p>
<p>Jeremy: “Well, it is unusual...”</p>
<p>Custer: “Aye, now, lemme tell you. My Celinia here, she ‘as a sex drive ‘igher than my blood alcohol level. Now, evidently I cannot satisfy ‘er desires, so she, bein’ a common whore like she is, goes off forkin’ about with all local folk.”</p>
<p>Jeremy: “I see. Is this true Celinia?”</p>
<p><em>Celinia nods, avoiding eye contact with everyone.</em></p>
<p>Custer: “Aye, it’s true, yer filthy whore. Lemme tell you, Jeremy, she banged our local butcher, she banged our gamekeeper, she banged the stable boy. I think you may be t’only man ‘ere she ‘asn’t flashed her knickers at.”</p>
<p><em>Celinia stares at Jeremy, a voracious look in her eyes, like a crack addict looking at a man made of nothing but delicious crack.</em></p>
<p>Custer: “An you know what else, Jeremy? You know what else? I ‘ave suspicions, Jeremy, I ‘ave suspicions that our kids, our tykes, are not even ours! They’re ‘ers and some other fella! Who knows?”</p>
<p>Jeremy: “Crivens! Well, tell us about the children, man!”</p>
<p>Custer: “Our oldest, Partario, ‘e be 16 next month. T’middle child, Nintendo, ‘er be 13. An the young one, Owi’oole Mboto Mboto, ‘e be just 3. I ‘ave pictures ‘ere.”</p>
<p><em>A screen behind Custer displays a photograph of the children. Partario is half Indian, Nintendo is half Japanese, Owi’oole is half African.</em></p>
<p>Custer: “Now, you know why I think they might not be mine, Jeremy?”</p>
<p><em>Jeremy glances at the screen then glances back at Custer.</em></p>
<p>Jeremy: “Why, clearly because they’re not of your ethnicity, clearly!”</p>
<p>Custer: “Ethnicity? I ain’t no racist sir an I’ll not ‘ave you sayin’ I am. No, sir, what make me think they might not be mine is that a doctor told me 20 year ago that I were impotent, low motility y’see!”</p>
<p>Jeremy: “I…see. And did that not strike you as odd when the first child came to be?”</p>
<p>Custer: “No, I jus’ thought the doctor didn’t know ‘is arse from ‘is elbow.”</p>
<p>Jeremy: “And the second and the third?”</p>
<p>Custer: “The third was a surprise, I will say, as we ‘ad not ‘ad a tumble for seven years.”</p>
<p>Jeremy: “Seven years?”</p>
<p>Custer: “Aye. Doctor said me seed were slow, so I figure it took ‘em seven years to get in there. I don’t give up easily, Jeremy, an neither does me seed.”</p>
<p><em>Celinia suddenly stands and shouts angrily.</em></p>
<p>Celinia: “Oh, Custer, you thick moron, of course they’re not your fucking children. I’ve been wild, I’ve been crazy, I’ve screwed around with every man that will so much as look at me! I married you for your money, you crazy rich bastard, but then you didn’t die like I thought you would! You didn’t die! For twenty years, you didn’t die and I had to satisfy myself night after night with anything that could get it up! Just die, you fucking bastard!”</p>
<p><em>A long and lengthy pause. Celinia is breathing heavily, angrily, her fists clenched. Jeremy’s monocle pops off again. This time, no butler comes in to collect it.</em></p>
<p>Jeremy: (to camera) “Well..er…yes. Coming up after the break, a man from Ireland will tell us about cricket.”</p>
<p><em>Theme music starts up again. As the screen fades out to black we see Celinia smash her glass and lunge at Custer.</em></p>
<p><em> </em></p>
<p><em>An advert for Foxy Bingo plays.</em></p>
]]></content:encoded>
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		<title>Robert Burns&#8217; &#8220;Thundercats&#8221;</title>
		<link>http://www.chrisgrapes.co.uk/?p=36</link>
		<comments>http://www.chrisgrapes.co.uk/?p=36#comments</comments>
		<pubDate>Tue, 11 May 2010 16:06:12 +0000</pubDate>
		<dc:creator>Chris</dc:creator>
				<category><![CDATA[Writing]]></category>
		<category><![CDATA[poem]]></category>
		<category><![CDATA[robert burns]]></category>
		<category><![CDATA[thundercats]]></category>

		<guid isPermaLink="false">http://www.chrisgrapes.co.uk/?p=36</guid>
		<description><![CDATA[Och now an canny roond
The tale t'spin and spin forever
an while all you sit down on groond
I'll spin thee tale of Thundera

Doon the depths o' time an space
Afore ye eat yer haggis an tats
We canny see the new race
this doon band o' Thundercats

Lion-O, Panthra, Cheetara an all
To Third Earth all wen go
An when the spirit [...]]]></description>
			<content:encoded><![CDATA[<div id="_mcePaste">Och now an canny roond</div>
<div id="_mcePaste">The tale t'spin and spin forever</div>
<div id="_mcePaste">an while all you sit down on groond</div>
<div id="_mcePaste">I'll spin thee tale of Thundera</div>
<p><span id="more-36"></span></p>
<div id="_mcePaste">Doon the depths o' time an space</div>
<div id="_mcePaste">Afore ye eat yer haggis an tats</div>
<div id="_mcePaste">We canny see the new race</div>
<div id="_mcePaste">this doon band o' Thundercats</div>
<p></p>
<div id="_mcePaste">Lion-O, Panthra, Cheetara an all</div>
<div id="_mcePaste">To Third Earth all wen go</div>
<div id="_mcePaste">An when the spirit it begin to fall</div>
<div id="_mcePaste">Rallied wi'cry o Thundercats Ho!</div>
<p></p>
<div id="_mcePaste">An afore the mutants be a groanins</div>
<div id="_mcePaste">Thundercats now ready ta fight</div>
<div id="_mcePaste">An Lion-O grip the Sword of Omens</div>
<div id="_mcePaste">An Eye of Thundera give sight beyond sight</div>
<p></p>
<div id="_mcePaste">A mighty battle afore ye saw</div>
<div id="_mcePaste">A punishin' fight the cats be givin</div>
<div id="_mcePaste">But battle nay be won not yet before</div>
<div id="_mcePaste">Cats see Mumm-Ra the Ever Livin</div>
<p></p>
<div id="_mcePaste">Doon in sanctity of Cat's Lair</div>
<div id="_mcePaste">Lord O' Thundercats, he nae gi' up belief</div>
<div id="_mcePaste">He seek counsel from Jaga, ghostly an' fair</div>
<div id="_mcePaste">an Snarf he be comic relief.</div>
<p></p>
<div id="_mcePaste">Aye, the Thundercats nae be beat</div>
<div id="_mcePaste">When spirit o' Jaga gi' them reason</div>
<div id="_mcePaste">Heart be strong and foot be fleet</div>
<div id="_mcePaste">E'en doon the dire fourth season</div>
<p></p>
<div id="_mcePaste">Wee Wily-Cat and Wily-Kit</div>
<div id="_mcePaste">Nae we ne'er see wee bairns grow</div>
<div id="_mcePaste">But Lion-O gi' important safety tips</div>
<div id="_mcePaste">At end o' every show</div>
<p></p>
<div id="_mcePaste">Och now and canny roond</div>
<div id="_mcePaste">My tale o' Thundercats be done</div>
<div id="_mcePaste">But other tales may be foond</div>
<div id="_mcePaste">Saturday mornings on BBC One</div>
<p></p>
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		<title>Winnie The Pooh, As Interpreted by Chuck Palahniuk</title>
		<link>http://www.chrisgrapes.co.uk/?p=33</link>
		<comments>http://www.chrisgrapes.co.uk/?p=33#comments</comments>
		<pubDate>Mon, 10 May 2010 19:36:45 +0000</pubDate>
		<dc:creator>Chris</dc:creator>
				<category><![CDATA[Writing]]></category>
		<category><![CDATA[interpreted]]></category>
		<category><![CDATA[palahniuk]]></category>
		<category><![CDATA[pooh]]></category>

		<guid isPermaLink="false">http://www.chrisgrapes.co.uk/?p=33</guid>
		<description><![CDATA[My name is Christopher Robin and I am six years old.
My name is Christopher Robin and I will be six years old forever.
This is the hundred acre wood. Through the trees like wooden splinters piercing the skull of the Earth you can see my house.
I live here with my family.
A collection of cast-offs and the [...]]]></description>
			<content:encoded><![CDATA[<p>My name is Christopher Robin and I am six years old.<br />
My name is Christopher Robin and I will be six years old forever.<br />
This is the hundred acre wood. Through the trees like wooden splinters piercing the skull of the Earth you can see my house.<br />
I live here with my family.<br />
A collection of cast-offs and the unwanted.</p>
<p><span id="more-33"></span></p>
<p>The first was Pooh Bear. A sickly retard, you can pick him out of the crowd just by looking for the yellow skin. My mother used to say it was like seeing a solitary buttercup in an open field. She tried to stay positive, even when we took him to the clinic. We saw the doctor, and he looked my mother in the eye and said<br />
Pooh Bear displays classic signs of autism<br />
And my mother asked him what that meant<br />
Pooh Bear will never function in society he tells her, never looking up from his computer, the light from the screen whiting out his glasses, two giant dead eyes. Two clinical eyes.<br />
He will never be normal. He will never hold down a job. He will never meet someone special and settle down and have kids. He will be like he is now for the rest of his life.<br />
And my mother asks him about those autistic kids you see in movies, that maybe he's actually a genius<br />
Those are savants, he tells my mother, and Pooh Bear is not a savant. He is neither logical nor creative. He is incapable of processing the input from the real world.<br />
Pooh Bear is stumbling round the clinic in his red shirt. As usual he is not wearing any pants. He crashes into a table and says oh bother.<br />
Great, so we can't even take him to Vegas.<br />
Pooh Bear's best friend is Piglet.<br />
I ask Piglet what he thought of this.<br />
He's a fuckin' idiot, what you gonna do, he says in a Brooklyn accent that makes my head hurt.<br />
Deep down, he's alright is Pooh, he says.</p>
<p>I get to fix dinner for Pooh tonight. I ask him what he wants.<br />
Yummy hunny in my tummy.<br />
I tell him he can't just eat honey. He has to eat properly or he'll get sick.<br />
He just says Oh bother.<br />
I go out to the kitchen to make him some eggs.<br />
I come back and he's gone.<br />
Piglet doesn't know where he is either. We both start looking around the house. The front door is wide open.<br />
Pooh is out in the real world, and is incapable of processing the input from the real world.<br />
I don't tell my mother. This would only upset her, and we can find him.<br />
Piglet puts on a coat and starts out.<br />
He'll be lookin' f'r fuckin' honey, you know, he says to me.<br />
I tell him I don't know where he'd go for that.<br />
He'd probably go to that old guy's house, you know, that fuckin' fruitbasket out near the middle.<br />
He means Rabbit.<br />
This is a problem.<br />
I hope Rabbit has taken his medication today.</p>
<p>We see the problem as Rabbit's house comes into view. Pooh Bear has broken the window and is now trapped inbetween panes, his front half hanging out like a stuffed animal. Rabbit is outside, pulling hard on his arms.<br />
He's got to move he's got to move, says Rabbit, in a way that makes it seem like he'll break into song any moment.<br />
He's got to move, I have to clean up, I have to clean.<br />
Rabbit is an obsessive compulsive.<br />
I don't think he has been taking his medication.<br />
This is a problem.<br />
Rabbit pulls on Pooh's arms some more. Pooh does not move.<br />
Oh bother, says Pooh.<br />
Piglet pushes Rabbit aside and says don't fuckin' touch him ya crazy bastard. You'll pull his fuckin' arms off.<br />
Pooh continues to squirm. Rabbit goes back inside and starts pushing on Pooh from the other side.<br />
I look at him through the window.<br />
His eyes are frantic, like Pooh is some sort of fungus, growing and poisoning his house.<br />
Oh bother, says Pooh.<br />
I say to Rabbit that if he pushes and we pull it might free him from the gap.<br />
Me and Piglet both grab Pooh under the armpit and brace ourselves.<br />
We feel a push from the other side and try to pull Pooh through.<br />
A crack comes from the windowframe as it splinters and breaks.<br />
Pooh falls down on top of us, his mouth smeared with the honey he stole from Rabbit's house, his sides dripping blood from the broken window.<br />
It lengthens his red shirt down his naked legs.<br />
I sit up and ask Pooh why he did that.<br />
Yummy hunny in my tummy.<br />
Piglet slaps Pooh hard, a stinging slap that echoes through the forest like a gunshot.<br />
You fuckin' idiot, you fuckin' idiot, he repeats.<br />
Look at you, you're cut an bleedin', you fuckin' idiot.<br />
We help Pooh to his feet and take him back home.<br />
I bandage his sides and he eats the eggs I left for him on the side and I put him to bed.<br />
Oh bother, he says as I turn off the light and close the door.<br />
Piglet looks at me.<br />
We can't go on like this, he says.<br />
He's a fuckin' liability. I love the little prick, but he needs to be put away. We can't look after him.<br />
We'll discuss it with mother later, I tell him.<br />
My name is Christopher Robin and I am six years old.<br />
My name is Christopher Robin and I will be six years old forever.</p>
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		<title>The tale of Aloysius P Diddicrat</title>
		<link>http://www.chrisgrapes.co.uk/?p=27</link>
		<comments>http://www.chrisgrapes.co.uk/?p=27#comments</comments>
		<pubDate>Sun, 09 May 2010 19:36:18 +0000</pubDate>
		<dc:creator>Chris</dc:creator>
				<category><![CDATA[Writing]]></category>
		<category><![CDATA[aloysius]]></category>
		<category><![CDATA[children]]></category>
		<category><![CDATA[hippopotamus]]></category>
		<category><![CDATA[poem]]></category>

		<guid isPermaLink="false">http://www.chrisgrapes.co.uk/?p=27</guid>
		<description><![CDATA[
Aloysius P Diddicrat
Always wore a neat cravat
Holding in hand an ivory cane
A monocle in the right eye again


Rode atop a hippopotamus
Causing a hippopotafuss
Oh, Aloysius P Diddicrat
Where are you going, riding that?


'My dear boy' he says quite keen
'I'm going off to see the Queen
To become a knight, most fearless
atop my hippopotamus'

Oh, Aloysius P Diddicrat
Why are you [...]]]></description>
			<content:encoded><![CDATA[<div id="_mcePaste">
<div id="_mcePaste">Aloysius P Diddicrat</div>
<div id="_mcePaste">Always wore a neat cravat</div>
<div id="_mcePaste">Holding in hand an ivory cane</div>
<div id="_mcePaste">A monocle in the right eye again</div>
<div><span id="more-27"></span></div>
<p></p>
<div id="_mcePaste">Rode atop a hippopotamus</div>
<div id="_mcePaste">Causing a hippopotafuss</div>
<div id="_mcePaste">Oh, Aloysius P Diddicrat</div>
<div id="_mcePaste">Where are you going, riding that?</div>
<div></div>
<p></p>
<div id="_mcePaste">'My dear boy' he says quite keen</div>
<div id="_mcePaste">'I'm going off to see the Queen</div>
<div id="_mcePaste">To become a knight, most fearless</div>
<div id="_mcePaste">atop my hippopotamus'</div>
<p></p>
<div id="_mcePaste">Oh, Aloysius P Diddicrat</div>
<div id="_mcePaste">Why are you trying to do that?</div>
<div id="_mcePaste">'To seek my fortune in order to</div>
<div id="_mcePaste">Start up a hippopotamus zoo</div>
<p></p>
<div id="_mcePaste">Hippopotamus here, hippopotamus there</div>
<div id="_mcePaste">And they will live without a care</div>
<div id="_mcePaste">I'll be in peace with all of my</div>
<div id="_mcePaste">numerous hippopotami.'</div>
<p></p>
<div id="_mcePaste">Oh, Aloysius P Diddcrat</div>
<div id="_mcePaste">I wish you lots of luck with that</div>
<div id="_mcePaste">I hope it does all come through</div>
<div id="_mcePaste">and you get your hippopotamus zoo</div>
<p></p>
<div id="_mcePaste">But, Aloysius, a slight pause</div>
<div id="_mcePaste">I think I've found some fatal flaws</div>
<div id="_mcePaste">Where will you get your hippopotami from?</div>
<div id="_mcePaste">For you only appear to have just one</div>
<p></p>
<div id="_mcePaste">'My dear boy, you need not worry</div>
<div id="_mcePaste">and really, there is no hurry</div>
<div id="_mcePaste">I'll plant him in the ground, you'll see</div>
<div id="_mcePaste">I'll grow a hippopotatree.</div>
<p></p>
<div id="_mcePaste">And when a cool autumn breeze</div>
<div id="_mcePaste">bristles the hippopotaleaves</div>
<div id="_mcePaste">hippopotami, ripe and round</div>
<div id="_mcePaste">will tumble down towards the ground'</div>
<p></p>
<div id="_mcePaste">Oh, Aloysius P Diddicrat</div>
<div id="_mcePaste">Have you not considered that</div>
<div id="_mcePaste">Not all of them will be that ripe</div>
<div id="_mcePaste">He looked at me and chewed his pipe</div>
<p></p>
<div id="_mcePaste">'My dear boy, don't be distraught</div>
<div id="_mcePaste">I've already given that some thought</div>
<div id="_mcePaste">I have a very cunning plan</div>
<div id="_mcePaste">With them I'll make hippopotajam'</div>
<p></p>
<div id="_mcePaste">Oh, Aloysius P Diddicrat</div>
<div id="_mcePaste">Where would you sell this jam at?</div>
<div id="_mcePaste">I fear people would be rather dour</div>
<div id="_mcePaste">for hippopotamus is very sour.</div>
<p></p>
<div>And after a moment or three</div>
<div>he leant over and said to me</div>
<div id="_mcePaste">'My dear boy, you are quite right</div>
<div id="_mcePaste">I think I'll abandon this awkward plight</div>
<p></p>
<div id="_mcePaste">I'll seek not approval from the Queen</div>
<div id="_mcePaste">and head off to live somewhere green</div>
<div>and be in peace, just the two of us</div>
<div>Just me and my one hippopotamus'</div>
</div>
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		<title>I voted yesterday, as you do on voting day</title>
		<link>http://www.chrisgrapes.co.uk/?p=25</link>
		<comments>http://www.chrisgrapes.co.uk/?p=25#comments</comments>
		<pubDate>Fri, 07 May 2010 10:24:10 +0000</pubDate>
		<dc:creator>Chris</dc:creator>
				<category><![CDATA[Real Life]]></category>
		<category><![CDATA[election]]></category>
		<category><![CDATA[politics]]></category>
		<category><![CDATA[rant]]></category>

		<guid isPermaLink="false">http://www.chrisgrapes.co.uk/?p=25</guid>
		<description><![CDATA[The woman at the polling station was not amused with me saying I was going to vote for the party most likely to bring on the revolution. She'll be first against the wall.
It was weird, getting down to actually crossing the box. Weeks of it endlessly being thrust into your face like an uncomfortable moment [...]]]></description>
			<content:encoded><![CDATA[<p>The woman at the polling station was not amused with me saying I was going to vote for the party most likely to bring on the revolution. She'll be first against the wall.</p>
<p>It was weird, getting down to actually crossing the box. Weeks of it endlessly being thrust into your face like an uncomfortable moment at a stag do, endlessly regurgitating policies and statistics and pictures of Brown with his head in his hands, and it all boils down to a pencil mark on a bit of paper. It felt less like deciding the future of the country through democratic process and more like filling in a 'did you like our service?' questionnaire.</p>
<p><span id="more-25"></span></p>
<p>Did Your Meal Arrive On Time? Yes [ ] No [ ]</p>
<p>Was It To Your Satisfaction? Yes [ ] No [ ]</p>
<p>Would You Prefer Cuts To The NHS In Preference To An Increase In National Insurance? Yes [ ] No [ ]</p>
<p>Also, I never realised the people who sit outside the polling station and look at your card do so for statistics for a specific party. I thought they were official polling peoples, but it turns out they have affiliation and motive, but no actual authority. They'll be second against the wall.</p>
<p>Anyway, I crossed the box (no, I won't say who I voted for), shoved it into the box, got another scowl from the anti-revolutionary woman, and left. And that was it. Feels a bit anti-climactic really. I feel there should have been some sort of event happening, like as soon as I put the bit of paper in, fireworks go off whilst Ode To Joy plays in the background. But nope, just a scowl and a strange feeling that my vote really counts for nothing in this modern day world and that I'd have been better off turning my polling card into a paper plane and thrown it into a ravine.</p>
<p>But then I wouldn't have the right to complain about the results afterwards. So that's something.</p>
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		<title>Songs you like that I can ruin forever</title>
		<link>http://www.chrisgrapes.co.uk/?p=13</link>
		<comments>http://www.chrisgrapes.co.uk/?p=13#comments</comments>
		<pubDate>Mon, 22 Mar 2010 18:02:40 +0000</pubDate>
		<dc:creator>Chris</dc:creator>
				<category><![CDATA[Writing]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[songs you like that I can ruin forever]]></category>

		<guid isPermaLink="false">http://www.chrisgrapes.co.uk/?p=13</guid>
		<description><![CDATA[Ahh, it's a gorgeous day outside. Birds are shining, sun is singing, etc etc. What a wonderful world.
Yes, what a wonderful world.

...
No, really. It isn't.

I see trees of green
You're looking at an evergreen. It's actually mid December and it's cold and miserable.
red roses too
A clear metaphor for blood.
I see them bloom
and I'm bleeding quite badly. [...]]]></description>
			<content:encoded><![CDATA[<p>Ahh, it's a gorgeous day outside. Birds are shining, sun is singing, etc etc. What a wonderful world.</p>
<p>Yes, what a wonderful world.</p>
<p><object width="500" height="405"><param name="movie" value="http://www.youtube.com/v/c5IIXeR5OUI&#038;hl=en_GB&#038;fs=1&#038;rel=0&#038;border=1"></param><param name="allowFullScreen" value="true"></param><param name="allowscriptaccess" value="always"></param><embed src="http://www.youtube.com/v/c5IIXeR5OUI&#038;hl=en_GB&#038;fs=1&#038;rel=0&#038;border=1" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="500" height="405"></embed></object></p>
<p>...</p>
<p>No, really. It isn't.</p>
<p><span id="more-13"></span></p>
<p><em>I see trees of green</em></p>
<p>You're looking at an evergreen. It's actually mid December and it's cold and miserable.</p>
<p><em>red roses too</em></p>
<p>A clear metaphor for blood.</p>
<p><em>I see them bloom</em></p>
<p>and I'm bleeding quite badly. I think I've hit an artery.</p>
<p><em>for me and you</em></p>
<p>See, I've got blood on you.</p>
<p><em>And I think to myself what a wonderful world.</em></p>
<p>Listen to the timing. The pause inbetween 'myself' and 'what'. That's not a pause for music. That's a pause for sarcasm.</p>
<p><em>I see skies of blue</em></p>
<p>I see this because of the scattering of light in the atmosphere and the wavelengths of light from the sun being separated. This delicate balance will one day collapse and kill us all with solar radiation.</p>
<p><em>and clouds of white</em></p>
<p>Which do nothing to stop our death by solar radiation</p>
<p><em>The bright blessed day</em></p>
<p>Oh, I guess the solar radiation has now kicked in</p>
<p><em>the dark sacred night</em></p>
<p>and someone didn't pay the electricity bill</p>
<p><em>And I think to myself what a wonderful world.</em></p>
<p><span style="text-decoration: underline;">Sarcasm.</span></p>
<p><em>The colors of the rainbow so pretty in the sky</em></p>
<p>Rainbows follow storms. The prettier the rainbow, the more torrential the storm - fact.</p>
<p><em>Are also on the faces of people going by</em></p>
<p>These people were outside in the storm. Clearly they want to drown.</p>
<p><em>I see friends shaking hands saying how do you do</em></p>
<p>They're Freemasons.</p>
<p><em>They're really saying I love you.</em></p>
<p>Masons in extra-marital affairs.</p>
<p><em>I hear babies crying</em></p>
<p>It's been scientifically proven that a baby's cry is the most annoying and least ignorable sound on the planet.</p>
<p><em>I watch them grow</em></p>
<p>Another step towards the grave</p>
<p><em>They'll learn much more than I'll never know</em><em> </em></p>
<p>I have reached the limitations of my knowledge and I know less than a baby. </p>
<p><em>And I think to myself what a wonderful world</em></p>
<p>Now I'm crying inside.</p>
<p><em>Yes I think to myself what a wonderful world.</em></p>
<p>I wish I had a gas oven.</p>
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		<item>
		<title>I hate the way my stomach aches</title>
		<link>http://www.chrisgrapes.co.uk/?p=9</link>
		<comments>http://www.chrisgrapes.co.uk/?p=9#comments</comments>
		<pubDate>Fri, 19 Mar 2010 17:10:58 +0000</pubDate>
		<dc:creator>Chris</dc:creator>
				<category><![CDATA[Writing]]></category>
		<category><![CDATA[comedy]]></category>
		<category><![CDATA[dating]]></category>
		<category><![CDATA[play]]></category>
		<category><![CDATA[radio]]></category>
		<category><![CDATA[sketch]]></category>

		<guid isPermaLink="false">http://www.chrisgrapes.co.uk/?p=9</guid>
		<description><![CDATA[David - “Yes, hello? Hi, okay. Yes. My name's David, and welcome to Speed Hating! This is a revolutionary new concept in dating. Are you all familiar with the concept of speed dating?”
[a few agreeable murmurs run through the crowd]
David - “Okay, good. Well, same concept here, but turned on its head. The idea is [...]]]></description>
			<content:encoded><![CDATA[<p>David - “Yes, hello? Hi, okay. Yes. My name's David, and welcome to Speed Hating! This is a revolutionary new concept in dating. Are you all familiar with the concept of speed dating?”</p>
<p>[a few agreeable murmurs run through the crowd]</p>
<p>David - “Okay, good. Well, same concept here, but turned on its head. The idea is that the very first thing you say is something negative. Say for instance, if someone sat in front of me I might go 'Oh, you've got awful hair' or something. You see, it's psychologically proven that as soon as we confront the natural flaws we see in people, we open up a new level of communication. We look past the flaws and see the person within. Now, some of you may instinctively go into what's known as the Fight or Flight reflex when you're first confronted with this negativity from a stranger. You may retaliate, or you may back away. We don't want either of those, we want you to see, honestly and truthfully, that is what your partner thinks and for you to accept that and move on.”</p>
<p><span id="more-9"></span></p>
<p>David - “Can we have two volunteers just to do a bit of a demonstration? Yes? You sir, and you. Both of you come up here. Give them a round of applause, ladies and gentlemen. This sort of thing isn't easy in front of others.”</p>
<p>David - “Now sir, what's your name?”</p>
<p>Graham - “Graham.”</p>
<p>David - “And you?”</p>
<p>Louise - “Louise.”</p>
<p>David - “Okay Louise, now you look at Graham and you tell me the first thing that you don't like about him.”</p>
<p>Louise - “Well...his teeth aren't particularly great, are they?”</p>
<p>Graham - [mumbling] “I'm having some work done on them at some point.”</p>
<p>David - “Ah, ah, ah, Graham, that's the flight response there. She does not like your teeth. Don't fight it, don't excuse it, just accept that's what she does not like. Now, you do the same for her.”</p>
<p>Graham - “Um, she's kind of fat, and I don't like that. Some men do, but I don't.”</p>
<p>David - “Okay, Graham. Thanks for that, but try not to dampen your own opinions, let them be strong on their own. No need to worry about whether anyone else shares it. So. Do we all get the general idea? Okay then! If the gentlemen all go and sit in their designated seats. Each of you get two minutes, then I'll blow the whistle and the ladies move on to the right. So, off we go!”</p>
<p>Glenn - “Hi, my name's Glenn.”</p>
<p>Susan - “You're a shit.”</p>
<p>Glenn - “E...excuse me?”</p>
<p>Susan - “A shit. You look like a human shit.”</p>
<p>Glenn - “Really? Um..why do you think that?”</p>
<p>Susan - “You're wearing a brown suit. You have brown hair. You have brown eyes. Brown, brown, brown. You are literally a shit.”</p>
<p>Glenn - “Ah, see I think you meant figuratively there. Literally means...”</p>
<p>Susan - “I don't care, you are a shit.”</p>
<p>Glenn - “A shit?”</p>
<p>Susan - “Yes, a shit.”</p>
<p>Glenn - “Um, look, I think you may have misinterpreted the...”</p>
<p>Susan - “Don't tell me what I've done you shit. I'm not going to sit here with a shit telling me what to do. You are a shit, you are a shit, you are a shit.”</p>
<p>[the whistle blows]</p>
<p>Susan - “Thanks! It's been fun.”</p>
<p>Olivia - “Alright. Your hair's a bit of a mess isn't it?”</p>
<p>Glenn - “Uh, yes. I suppose it is. Never can keep it in check. Always seems to list to the side a bit.”</p>
<p>Olivia - “Yeah, yeah. You're boring. I'm just going to check my phone for the next two minutes.”</p>
<p>Glenn - “Oh, well...that's a bit rude, we're supposed to be talk...”</p>
<p>Olivia - “Shh, can't text with you moaning away.”</p>
<p>Glenn - “Um, okay then.”</p>
<p>[a few moments pass]</p>
<p>[Glenn sighs]</p>
<p>Olivia - “For fucks sake, can't you just stay the fuck silent for a few minutes?”</p>
<p>Glenn - “I just sighed...”</p>
<p>Olivia - “Yeah, well, don't.”</p>
<p>[the whistle blows]</p>
<p>Olivia - “Thank fuck for that.”</p>
<p>Harriet - “Hi. I'm Harriet.”</p>
<p>Glenn - “Okay. I'm Glenn.”</p>
<p>Harriet - “Bet you've got a small cock.”</p>
<p>Glenn - “I'm...sorry?”</p>
<p>Harriet - “You look like a small cocked man.”</p>
<p>Glenn - “Wait, how would you know that? Surely this is supposed to be about things you actually notice, not assumptions you make based on...”</p>
<p>Harriet - “Small cock and crap in bed. They all are here. Why do you think they've gone this low?”</p>
<p>[pause]</p>
<p>Glenn - “I don't know, it's something different I suppose, can't hurt to give it a try?”</p>
<p>Harriet - “Anyway, your turn, say something you don't like.”</p>
<p>Glenn - “Well, you're a bit forward and in your face I suppose.”</p>
<p>Harriet - “That's not a bad thing. You're crap at this.”</p>
<p>Glenn - “It's a quality I do not admire.”</p>
<p>Harriet - “Who cares? I'm in your face and proud about it.”</p>
<p>Glenn - “Well, good for you then.”</p>
<p>Harriet - “Okay.”</p>
<p>Glenn - “Okay?”</p>
<p>Harriet - “Now you've got to be comfortable about having a small cock. That's how this works, don't it?”</p>
<p>Glenn - “But I don't think I do have a...”</p>
<p>Harriet - “'Course you do. Face it, love, you're just not man enough.'</p>
<p>[the whistle blows]</p>
<p>Mandy - “Um..hello.”</p>
<p>Glenn - “Hi.”</p>
<p>Mandy - “How are you getting on?”</p>
<p>Glenn - “Not brilliantly.”</p>
<p>Mandy - “Me neither. I don't think I like this that much.”</p>
<p>Glenn - “No, it's...it's not the greatest.”</p>
<p>Mandy - “I mean, you see that one guy over there? Third table?”</p>
<p>Glenn - “Yes?”</p>
<p>Mandy - “Well, he said I was too short. He didn't like short women.”</p>
<p>Glenn - “Oh. What did you say to him?”</p>
<p>Mandy - “I told him I didn't like blacks.”</p>
<p>Glenn - “I...what?”</p>
<p>Mandy - “Blacks, you know. Black people. I don't like them.”</p>
<p>[pause]</p>
<p>Glenn - “Isn't that a little bit, um...you know...racist?”</p>
<p>Mandy - “I don't know. I don't think so. Why?”</p>
<p>Glenn - “You're dismissing him based on his colour. That's racist.”</p>
<p>Mandy - “Really? Are you sure?”</p>
<p>Glenn - “Yes!”</p>
<p>Mandy - “...so they're a race, are they?”</p>
<p>Glenn - “Are what?”</p>
<p>Mandy - “Blacks. They're a race?”</p>
<p>Glenn - “Well, yes!”</p>
<p>Mandy - “I see. Is that the same with all coloureds?”</p>
<p>Glenn - “What?”</p>
<p>Mandy - “Like yellow skins and the browns in India, they're all races as well?”</p>
<p>Glenn - “Yes!”</p>
<p>Mandy - “Ohhh. See, I didn't know that. Guess I am a racist, aren't I?” [she giggles flirtatiously]</p>
<p>[the whistle blows]</p>
<p>Mandy - “Gosh, I'm going to give you high marks. Thanks!”</p>
<p>Zebedee - “Hi, my name's Zebedee, YOU GOT A PROBLEM WITH THAT?”</p>
<p>Glenn - “Zebedee?”</p>
<p>Zebedee - “Yeah, Zebedee. Like the Magic Roundabout. PROBLEM?”</p>
<p>Glenn - “Err, I guess not, no.”</p>
<p>Zebedee - “I think you do, you hate my name. You want to call me Zee, don't you? If we got together, and you introduced me to your parents, you'd be all 'hey mum and dad, here's Zee', wouldn't you?”</p>
<p>Glenn - “I honestly hadn't thought that far ahead.”</p>
<p>Zebedee - “Well fuck you, you judgemental prick! I love my name. Fuck this shit, I'm outta here!”</p>
<p>[Zebedee storms out the room. David walks over to the table.]</p>
<p>David - “Glenn, I don't think you've quite got the hang of this, have you?”</p>
<p>Glenn - “This really isn't my thing. I thought this was just conventional speed dating...”</p>
<p>David - “I think you're being far too direct with some of the girls here. Too aggressive.”</p>
<p>Glenn - “But I haven't even said anything to any of them yet! I haven't had a chance to!”</p>
<p>David - “Ah, ah. Keep that temper in check, Glenn. We don't want to have to blacklist you. We encourage honesty, not hostility.”</p>
<p>Glenn - “This is ridic..”</p>
<p>David - “Okay! Good! Time for the next rotation!”</p>
<p>[David blows the whistle hard next to Glenn's ear]</p>
<p>Sarah - “Hi, I'm Sarah.”</p>
<p>Glenn - “Excuse me?”</p>
<p>Sarah - “Sarah. Hi. And you are?”</p>
<p>Glenn - “What? I'm sorry, I've got a horrible ringing in my ears. That guy just..”</p>
<p>Sarah - “Oh, I see. Pretend like you can't hear me properly to avoid the small talk.”</p>
<p>Glenn - “No, that's not it at all, That guy, him, over there, he blew the whistle right in my ear.”</p>
<p>Sarah - “Oh. So you're too sensitive then?”</p>
<p>Glenn - “What?”</p>
<p>Sarah - “YOU'RE TOO SENSITIVE THEN?”</p>
<p>Glenn - “No, I think anyone wouldn't hear properly for a few minutes after that.”</p>
<p>Sarah - “Oh, I don't know. I can't think of anything bad to say about you.”</p>
<p>Glenn - “Really? Does that mean you like me?”</p>
<p>Sarah - “No, not really. I think I'm just a bit indifferent to you. You're neutral.”</p>
<p>Glenn - “I'm...neutral?”</p>
<p>Sarah - “Yeah. Neutral.”</p>
<p>Glenn - “Like Switzerland?”</p>
<p>Sarah - “What?”</p>
<p>Glenn - “Switzerland, you know? Neutrality, and...oh forget it, was just a stupid joke. Tell you what, let's just sit here until the whistle blows. I'm fed up of this.”</p>
<p>Sarah - “Well that's flattering. I don't have anything bad to say, and that's how you respond?”</p>
<p>Glenn - “You said I was neutral!”</p>
<p>Sarah - “Neutral's not bad, is it?”</p>
<p>Glenn - “It's not good either.”</p>
<p>Sarah - “Yeah, well, you should be thankful. Guy like you, that's the best you're gonna get today.”</p>
<p>Glenn - “Excuse me?”</p>
<p>Sarah - “Well, you're not much to look at are you?”</p>
<p>[pause]</p>
<p>Glenn - “I've had enough of this. You know what I think of you? I...”</p>
<p>[the whistle blows]</p>
<p>Glenn - “Dammit.”</p>
<p>Jill - “Hello, my name's Jill.”</p>
<p>Glenn - “Yes, hello. I'm Glenn, I'm a small cocked neutral shit, apparently.”</p>
<p>Jill - “Oh...um, isn't it me who's supposed to be...”</p>
<p>Glenn - “A small cocked neutral shit with messy hair as well. Who has only so far been vaguely successful with an entirely stupid racist.”</p>
<p>Jill - “I don't think you...”</p>
<p>Glenn - “And look at her over there! She said I was boring and sat there texting for the whole three minutes! But what's she doing with him? Laughing! She's laughing and smiling! He's not a better looker than me. Alright, I won't be doing any commercials for Gillette any time soon but come on!”</p>
<p>Jill - “Look, I...”</p>
<p>Glenn - “And the big fat feminist who insists all men have small cocks! Over there! What's she doing? She's blushing! She's holding his hand and blushing!” [yelling across the room] “How big is his cock you fat whore?”</p>
<p>[David walks over]</p>
<p>David - “Is there a problem here?”</p>
<p>Glenn - “Problem? Yes! This whole concept is a problem! It's a laughable joke at my expense. I want my £12 back, and I want to leave.”</p>
<p>David - “Sorry, but it's non-refundable. There aren't any guarantees with this service you know.”</p>
<p>Glenn - “What? Look! They're kissing now! What a fucking joke!”</p>
<p>Jill - “Excuse me...”</p>
<p>Glenn - “Oh, shut up you stupid bitch. You have horrible, horrible hair and one breast is quite visibly lopsided compared to the other.”</p>
<p>Jill - “What?! How dare...”</p>
<p>Glenn - “You're plain and stupid, and you have far too much makeup on. You look like a mime. Now where's that whistle?”</p>
<p>[Glenn grabs the whistle off David]</p>
<p>Glenn - “Ah yes. Next please!”</p>
<p>[Glenn blows the whistle]</p>
<p>Glenn - “Yes, hello! And you are?”</p>
<p>David - “Glenn, this isn't...”</p>
<p>Glenn - “Shut up, David, I'm networking.”</p>
<p>Linda - “I'm Linda. Is this...”</p>
<p>Glenn - “Linda! I once knew a Linda. She was a complete slut, you know. An utter unadulterated slag, bouncing from man to man until her thighs were red hot. A big, fat, stupid, ugly whore. Next!”</p>
<p>[Glenn blows the whistle]</p>
<p>David - “Security!”</p>
<p>Glenn - “No! You can't take me from this! Next!”</p>
<p>[Glenn blows the whistle again. A sound of struggling is heard]</p>
<p>Glenn - “Your uniform is ugly! Those handcuffs are shit! That can of mace is...Aaaaaargh!”</p>
<p>[Glenn keeps blowing the whistle]</p>
<p>[Fade out]</p>
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